A bowl is such a simple object: open, balanced, a spatially-structured circle, a foot, a lip, a receptacle. But to make a bowl is an adventure and a loving challenge.
It is difficult to visualize labourers whose artistry is more immediately sensuous than that of potters shaping supple, moist and plastic clay as it spins beneath their hands on the potter’s wheel. The embodiment of graceful and appealing forms as fingertips caress elastic and often sumptuous clay, is the paragon of creative making which is centuries old, and yet flourishes anew with every freshly fashioned pot.1. below
Clay itself seems to be one of the richest embodiments of matter, the stuff of things. In some traditions, clay is said to be the very stuff out of which we humans ourselves, seem also to be made (Genesis, Isaiah, Qur’an, etc.). Clay has come from mountains, magma, granite, pressure/weight, storms, ice, grinding, wind, water, through eons and ages—time outside of and beyond thought. It is mud. When fired in the potter’s kiln, however, it once more becomes stone, though not through eons of time. That actuality comes to be, rather, though the creative art of carefully managed, very intense heat—in a weekend! This is the art of crafting substantial and real matter, imbuing its function with beauty and life. Transubstantiation of the vulgar, but not magic!
A simple object—a clay bowl fashioned as we say, by the human hand. Simple? In the vernacular, being simple carries a general connotation: to be straightforward, easier to do, explain and understand, not complex/compound. Even at the simplest level of physicality—shaping clay on a potter’s wheel—everyone who has ever tried to shape supple clay into a pot on a wheel already knows, however, that this is not a smooth undertaking and certainly not simple. And yet, it is only moving plastic matter into new shapes—usually only with the human hand, muscles and energy. Fortunately (we say), for reasons of what we call the scientific advances in our model of the material world in the 19th, 20th and 21st centuries, we now seem to know that all matter, clay included, is composed of atoms and molecules and therewith, sub-atomic particles (and forces, fields, energy quanta, and so on…). This network of scientific thought has hidden complications for those of us who work creatively and imaginatively with clay in studios with our hands, bodies, brains and minds. Things, as they say, are not as simple as they appear. (Democritus, Plato’s allegory of the cave, and all the interwoven tales and traditions to one side.) These few words open a world which will become elusive before too long. I like it, but it ain’t straightforward. So, get a grip!
Making and creating are often the same undertaking, and occasionally they are distinct one from the other. This is so, not only in language, but also in fact. The facts of the world are not only our words for it! More on this later, for sure.
There are long traditions which hold that creating is the realm only of the gods/god, with their superior capacities and intense, if not omniscient and omnipotent, scope. Some accept the notion that to create is to bring something into being from nothing—by fiat. Many hint that to create means to give deep order to the chaos of primal existence—chaos, logos, cosmos.2. In many respects, our traditions, language/s and other historically-sensed, inter-subjective bonds, encompass us to this day and are at play in our functional, daily lives.3. As is the case with real-world compasses, these heritages and affiliations indifferently lay out paths, ways and guides. They are a complex within which we act, usually within a belief system and structured picture of the ‘whole’ world. But compasses are compasses—often life-saving, but not the world they indicate lest we forget in our thankfulness for having a guide.
While I think of being able to make pots, and to create similarly imaginative and real things as a gift, I accept that they are gifts without a giver—other than human life. This is the same life which brings with it, the actual panoply of human efforts, dreams, ravages, knowledge, as well as its collaborative and rapacious actions. Not simple, not surprising! More to come—that’s for sure!
1., 2. The Art of Earth and Fire ; 2. Usually thought of as ‘religion, theology, theological/trditional philosophy, and so on; 3. https://en.wikipedia.org/wiki/Sapiens:_A_Brief_History_of_Humankind